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Origin
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Origin

The Aston Origin is a high-performance cardioid condenser microphone utilising a one inch (1″) gold evaporated capsule. It's versatile enough to use with any instrument and, for singer-songwriters, excels on acoustic guitar and vocals. Its hand-selected capsule is paired with high-end transformerless circuitry using only the finest components.

The Origin is designed to deliver direct, smooth and intimate sound… for a supremely natural and transparent recording.

Multiple Award Winner
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The Aston Sound
The Aston Sound
Our mics are developed by a panel of top industry professionals… Producers, Engineers and Artists…
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Wave-Form Spring Head
Wave-Form Spring Head
Unique design provides shock absorption to protect capsule, with elastic memory…
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Built In Pop Filter
Built In Pop Filter
The Origin uses the latest in stainless steel mesh-knit technology to dramatically reduce vocal plosives...
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Direct to stand mounting
Direct to stand mounting
Proprietary end cap design and ultimate capsule-chassis isolation means the Origin can be direct-to-stand mounted with virtually no handling noise…
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Chassis
Chassis
2mm solid stainless steel laser cut and etched body…
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PCB
PCB
Aston uses only market leading electronic components, coupled with cutting edge, original electronic design…
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Eco-Friendly Packaging
Eco-Friendly Packaging
No unnecessary frills, just well-designed, re-usable and recyclable packaging…
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Aston Origin

The Origin was our first design, the start of it all, and represents the fundamental essence of the Aston brand.

Beautiful, superb engineering, a sound to rival some of the very best mics in the world… the Origin is the first mic ever made which brings this level of technical excellence and performance to the project studio market.

 

 

Origin vs Spirit - Sound distinction

The Origin is the cornerstone of the Aston brand, our first mic, and a global best seller. Simple, but incredibly well engineered, and perfect for everyone from budding singer-songwriters to seasoned industry pros. The Origin’s sound can be best described as ‘forgiving’… it doesn’t flatter to deceive but its ultra-smooth and pure sound, while rich with detail, will not overload with harmonics and leave you reaching for the EQ. It sounds, well, just like you do.

There is a lot of subjective talk about ‘this mic for this application… the perfect vocal mic, the perfect instrument mic etc’ … yes, sometimes that can be the case, but mostly this is just manufacturers trying to make the easy sale. Tell someone, ‘this is ideal for guitar recording’ and they’ll migrate to that product. The truth is somewhat different from the marketing hype. Most good condenser microphones will be equally at home on vocals and various instruments. This is especially true of both the Origin and Spirit, which find themselves on everything from vocals for the likes of Noel Gallagher and Kylie Minogue, to drums for Arcade Fire and Geoff Dugmore (Elton John, Tina Turner, Bruce Springsteen) and live guitar cab mics for Radiohead's Thom Yorke.

So more important is to go for a mic which gives you the sound that you want.

If you’re looking for a really, REALLY good all-rounder, which will make your playing, or your singing, sound incredibly natural and true and easy to manage in the mix, then the Origin is the mic for you.

The Spirit can be considered the ‘pro’ option, simply because it’s more revealing than most mics. It’s transformer based circuit gives oodles of headroom, which means more ‘air’ and ‘space’ to the sound, and an incredible amount of detail and harmonic content. It’s a big, expensive-sounding mic, that will allow you to get the very best results possible from any recording. A sports car of a mic… it’ll give you fabulous results if you treat it with respect and give your best. Also a great all-rounder mic, and equally suited to recording pretty much any instrument, and getting a stunningly transparent vocal sound… if you want one of the most professional sounds out there, Spirit is your mic.

Accessories

Aston has become synonymous for innovative and emotive design. Our microphones are not only exceptional recording tools and multiple award-winning products, delivering vocal and instrument recording to rival the very best in the world, but works of engineering art. If you already own an Aston mic, you’ve already experienced the exquisite attention to detail throughout, as well as the incredible performance.

As standard every Origin comes with a built in pop filter and internal shock mounting system which elevates the performance bar compared to other mics. In many applications you can use the Origin just as it is, but if you want to get the best results possible, and style your mic to look the mutts nuts in your studio environment, then the Aston SwiftShield takes things to a whole new performance level.

The Aston Swift shock mount, is not only elegant, and designed specifically to show off your mic in all its glory with its open-fronted design, but boasts the fastest mic mounting system in the world. Combined with Aston’s internal shock absorbing system, the Swift gives supreme performance in seconds.

The Shield SM, clips on and off the Swift mount quickly and easily when switching between vocal and instrument applications. Utilising Aston’s Hextech perforation acid etching process, the Shield gives excellent plosive (pop) control without affecting the tone of your recordings at all.

The SwiftShield combo is the perfect partner for getting the ultimate performance from your Origin (and it looks awesome too!).

Durability of the Aston Origin...

Transducer Type
Condenser
Acoustic Operating Principle
Pressure Gradient
Directional Polar Pattern
Cardioid
Frequency Response
20Hz – 20kHz (+/-3dB)
Equivalent Noise Level
18dB A-Weighted
Sensitivity at 1kHz into 1kohm
23.7mV/Pa
Maximum SPL for THD 0.5%
127dB
Signal-to-Noise Ratio (rel. 94dB SPL)
76dB A-Weighted
Pad Switch
-10dB
Low-Cut Filter
80Hz
Product length
125 mm / 4.92 in
Product width
54 mm / 2.13 in
Product weight
450 g / 0.99 lb
Owners Handbook (English)
Owners Handbook (French)
Owners Handbook (German)
Origin Frequency Response
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